The Necktie - From Tie History By Allan Flusser

Besides being useful against colds, stiff necks and tooth ache, a necktie enables one to know more about the person who is wearing it..
Said by Emil De L'Empese in 1818

The history of neckties dates back a mere hundred years or so, for they came into existence as the direct result of a war. In 1660, in celebration of its hard-fought victory over Turkey, a crack regiment from Croatia (then part of the Austro-Hungarian Empire) visited Paris. There, the soldiers were presented as glorious heros to Louis XIV, a monarch well known for his eye toward personal adornment. It so happened that the officers of this regiment were wearing brightly colored handkerchiefs fashioned of silk around their necks. These neck cloths, which probably descended from the Roman fascalia worn by orators to warm the vocal chords, struck the fancy of the king, and he soon made them an insignia of royalty as he created a regiment of Royal Cravattes. The word "cravat," incidentally, is derived from the word "Croat."

It wasn't long before this new style crossed the channel to England. Soon no gentleman would have considered himself well dressed without sporting some sort of cloth around his neck -- the more decorative, the better. At times, cravats were worn so high that a man could not move his head without turning his whole body. There were even reports of cravats worn so thick that they stopped sword thrusts. The various styles knew no bounds, as cravats of tassled strings, plaid scarves, tuffs and bows of ribbon, lace and embroidered linen all had their staunch adherents. Nearly one hundred different knots were recognized, and as a certain M. Le Blanc, who instructed men in the fine and sometimes complex art of tying a tie, noted, "The grossest insult that can be offered to a man comme il faut is to seize him by the cravat; in this place blood only can wash out the stain upon the honor of either party."

In this country, ties were also an integral part of a man's wardrobe. However, until the time of the Civil War, most ties were imported from the Continent. gradually, though, the industry gained ground, to the point that at the beginning of the twentieth century, American neckwear finally began to rival that of Europe, despite the fact that European fabrics were still being heavily imported.
In the 1960s, in the midst of the Peacock Revolution, there was a definite lapse in the inclination of men to wear ties, as a result of the rebellion against both tradition and the formality of dress. But by the mid-70s, this trend had reversed itself to the point where now, in the 1980s, the sale of neckwear is probably as strong if not stronger than it has ever been.

How to account for the continued popularity of neckties? For years, fashion historians and sociologists predicted their demise -- the one element of a man's attire with no obvious function. Perhaps they are merely part of an inherited tradition. As long as world and business leaders continue to wear ties, the young executives will follow suit and ties will remain a key to the boardroom. On the other hand, there does seem to be some aesthetic value in wearing a tie. In addition to covering the buttons of a shirt and giving emphasis to the verticality of a man's body (in the same way that the buttons on a military uniform do), it adds a sense of luxury and richness, color and texture, to the austerity of the dress shirt and business suit.

Perhaps no other item of a man's wardrobe has altered its shape so often as the tie. It seems that the first question fashion writers always ask is, "Will men's ties be wider or narrower this year?"

In the late 1960s and early 70s, ties grew to five inches in width. At the time, the rationale was that these wide ties were in proportion to the wider jacket lapels and longer shirt collars. This was the correct approach, since these elements should always be in balance. But once these exaggerated proportions were discarded, fat ties became another victim of fashion.


The proper width of a tie, and the one that will never be out of style, is 3 1/2 inches (2 3/4 to 3 1/2 inches are also acceptable). As long as the proportions of men's clothing remain true to a man's body shape, this width will set the proper balance. Though many of the neckties today are cut in these widths, the section of the tie where the knot is made has remained thick -- a holdover from the fat, napkinlike ties of the 1960s. This makes tying a small, elegant knot more difficult. Yet the relationship of a tie's knot to the shirt collar is an important consideration. If the relationship is proper, the knot will never be so large that it spreads the collar or forces it open, nor will it be so small that it will become lost in the collar.

Standard neckties come in lengths anywhere from 52 to 58 inches long. Taller men, or those who use a Windsor Knot, may require a longer tie, which can be special ordered. After being tied, the tips of the necktie should be long enough to reach the wasteband of the trousers (the ends of the tie should either be equal, or the smaller one just a fraction shorter).


After you've confirmed the appropriateness of a tie's shape, next feel the fabric. If it's made of silk and it feels rough to the touch, then it is a silk of inferior quality. Silk that is not supple is very much like hair that's been dyed too often. It's brittle and it's ends will fray easily. If care hasn't been taken in the inspection of ties, you may find misweaves and puckers.

All fine ties are cut on the bias, which means they have been cut across the fabric. This allows them to fall straight after the knot has been tied, without curling. A simple test consists of holding a tie across your hand. If it begins to twirl in the air, it was probably not cut on the bias and it should not be purchased.
Quality neckties want you to see everything: they have nothing to hide. Originally, neckties were cut from a single square of silk, which was then folded seven times in order to give the tie a rich fullness. Today the price of silk and the lack of skilled artisians prohibit this form of manufacture. Ties now derive their body and fullness by means of an additional lining.

Besides giving body to the tie, the lining helps the tie hold its shape. The finest quality ties today are lined with 100 percent wool and are generally made only in Europe. Most other quality ties use a wool mixture. The finer the tie, the higher the wool content. You can actually check. Fine linings are marked with a series of gold bars which are visible if you open up the back of the tie. The more bars, the heavier the lining. Many people assume that a quality tie must be thick, as this would suggest that the silk is heavy and therefore expensive. In fact, in most cases it is simply the insertion of a heavier lining that gives the tie this bulk. Be sure, then, that the bulk of the tie you are feeling is the silk outer fabric and not the lining.

After you have examined the lining, take a look at the tie just above the spot where the two sides come together to form an inverted V. In most quality ties, you will find a stitch joing the back flaps. This is called the bar tack, and it helps maintain the shape of the tie.

Now, if you can, open up the tie as far as possible and look for a loose black thread. This thread is called the slip stitch and was invented by a man named Joss Langsdorf in the 1920s to give added resilience to the tie. The fact that the tie can move along this thread means that it won't rip when it is being wrapped tightly around your neck, and that it will, when removed, return to its original shape. Pull the slip stitch, and the tie should gather. If you can do this, you've found a quality, handmade tie.

Finally, take the tie in your hand and run your finger down its length. You should find three separate pieces of fabric stitched together, not two, as in most commercial ties. This construction is used to help the tie conform easily to the neck.



By www.mycustomtailor.com

Mens Custom Tailor Made Custom Clothing By Mens

Since the price of a suit constitutes most men’s single largest clothing outlay, unless you are confident of your ability to select the best one, I recommend that you prepare accordingly, Wearing something that is reasonably representative of what you are shopping for provides the salesman with a starting point and the fitter with a tailoring guide. If you are considering a different take on your usual habiliments, this same garment can also provide a basis for comparison.

Should you go to the store intending to make a purchase, you should bring a dress shirt whose fit satisfies you. The dress shirt is a key element in the suit-fitting process; its collar height and sleeve length inform the tailor how you expect those components of the jacket to fit. You should also bring along all the items you normally pack into your suit. If you wear a pocket square or an eyeglass case in your jacket, or keep a wallet in your back trouser pocket, your suit should be fitted to accommodate these items. The time invested in this preparation will minimize the probability that you will have to return to the store for an additional fitting after discovering that you bulging billfold makes your coat’s chest gap.

If shopping in a large store that offers a variety of suit styles and you do not have a relationship with any of its salespeople, spend a few minutes looking for one whose dressing style impresses you. Do not automatically accept the first sales associate to engage you unless you know exactly what you want and need him to act merely as an expediter. If you are looking for a high-fashion designer suit, the classically attired salesperson would not be my first choice to explain the nuances that distinguish an Armani three-button crepe suit from the latest Vestment confection.

Conversely, If you like to accessorize your more English-style suits with high-class furnishings, you might want to be attended to by someone whose taste demonstrates firsthand experience in such matters. The salesman who dresses as if he is interested in clothes usually regards his profession as something more than just an opportunity to bring home a regular paycheck. He prides himself in his taste and enjoys taking the extra effort to find something special. Ideally, in the course of your dialogue, he should be able to teach you something about how to dress better while assisting you with your decision-making.

FIT AND FABRIC


Compared to a decade ago, most men wear their clothes fuller in scale and lighter in weight. This means that today’s average suit jacket has slightly broader shoulders and a bit more length. Its pleated trousers are worn up on the natural waist with its fuller thighs tapering down to cuffed bottoms that break on the shoe. Much of this reapportionment is attributable to the high-fashion men’s design community’s search for a more modern yet comfortable vessel to replace the stuffy, boxlike structure of the conventional male business suit.

In the early stages of latest reconfiguration, the suit jacket’s dimensions were pushed outward to allow its softer and less padded shell to drape more fluidly from the wearer’s shoulders and around his torso. Textured, crepe-weave fabrics were introduced to enhance the sweater like cushiness of the more advanced designer Suitings. However, as the contemporary men’s suit started looking less like its old self and more like a piece of sportswear, men who required the articulation and dressiness of the more classically tailored ensemble began to make their preferences known.

The classic suit is returning, but like any garment caught up in the maelstrom of high fashion, it’s just not returning in quite the same form as when it left. While swinging back to its military roots, with enough shape and padding to recall its former prestige and purpose, men’s tailored clothing is now influenced by the more modern, drapey cloths. Previously, the only fabrics able to maintain such defined line and proper creases were the typical four-harness worsted from England and Italy. This is still the case. However, their tighter weaves and more substantial construction have now been made to feel soft and pliable. After you squeeze the fabric, the better cloths spring back without wrinkling. At the end of the day, a top-quality worsted wool suit still only needs to be hung out for a time to regain its pressed look.

This is not to suggest that all crepe like textured woolens or other soft high-twist cloths are inferior in quality or wear ability to the finer worsteds. Italy has created many exceptional fabrics that look sturdy but are light as feathers and fall as if tailored by gravity. It is true, however, that some less expensive, textured cloths will pull easier than the smoother worsteds and, if not tailored skillfully, will also not perform up to their potential. But the better, high-performance ones can be tailored by hand or by machine and still make you feel like a prince. However, if longevity is the objective, there is no substitute for the time-honored harder-finished worsteds. While they may not make you feel as languidly swathed, they will help a man convey a stature both confidently masculine and quietly measured.

...style and the man by Alan Flusser
By www.mycustomtailor.com